Gutentag

Information

Gutentag is a display typeface built around a simple idea: achieve the strongest possible character with the fewest possible means. Inspired by designs such as Chicago by Susan Kare and Jacno by Marcel Jacno, it combines a geometric foundation with a lively, human touch.

Its forms are clean and economical, yet full of subtle details that give the typeface a warm, approachable and slightly mischievous personality. The result is a distinctive voice that feels confident without being loud, expressive without becoming eccentric.

The family is available in three width variants — Standard, Narrow and Condensed — offering flexibility for everything from compact wordmarks to expansive visual systems. A rich set of alternate characters allows designers to fine-tune the tone of their typography and create identities with a unique and recognizable character.

Designed for branding, logotypes and visual identities, Gutentag brings personality to places where generic geometric typefaces fall short. It offers the clarity of a rational design combined with the charm and individuality of a hand-crafted solution.

  • Number of fonts in a family: 15
  • Release date: 2026
  • Current version: 1.000
  • Available formats: OTF, TTF, WOFF, WOFF2
  • Variable file: Available upon request with the purchase of the complete type family.
  • Design: Tomáš Brousil
117 languages
  • Afar
  • Afrikaans
  • Albanian
  • Aromanian
  • Aymara
  • Azeri (Latin)
  • Basque
  • Bemba
  • Bislama
  • Bosnian
  • Breton
  • Catalan
  • Chamorro
  • Cheyenne
  • Chichewa
  • Chuukese
  • Cofán
  • Cornish
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Esperanto
  • Estonian
  • Faroese
  • Fijian
  • Finnish
  • French
  • Frisian
  • Friulian
  • Galician
  • Ganda
  • German
  • Gikuyu
  • Greenlandic
  • Guaraní
  • Gwich’in
  • Haitian
  • Hawaiian
  • Hungarian
  • Icelandic
  • Ido
  • Indonesian
  • Interlingua
  • Irish Gaelic
  • Italian
  • Javanese
  • Kashubian
  • Kinyarwanda
  • Kiribati
  • Kirundi
  • Kituba
  • Kurdish (Latin)
  • Ladin
  • Latvian
  • Lithuanian
  • Luxemburgish
  • Malagasy
  • Malay
  • Maltese
  • Manx
  • Māori
  • Marshallese
  • Montenegrin
  • Náhuatl
  • Nauruan
  • Navajo
  • Ndebele (Northern)
  • Ndebele (Southern)
  • Norfuk
  • Norn
  • Norwegian (Bokmål)
  • Occitan
  • Palauan
  • Papiamento
  • Pinyin
  • Polish
  • Portuguese
  • Quechua
  • Rhaeto-Romanic
  • Romaji
  • Romanian
  • Sámi (Inari)
  • Sámi (Lule)
  • Sámi (Northern)
  • Sámi (Southern)
  • Samoan
  • Sango
  • Sardinian
  • Scottish Gaelic
  • Seychelles Creole
  • Shona
  • Silesian
  • Slovak
  • Slovene
  • Somali (Latin)
  • Sotho
  • Spanish
  • Swahili
  • Swati
  • Swedish
  • Tagalog (Filipino)
  • Tahitian
  • Tetum
  • Tok Pisin
  • Tokelauan
  • Tongan
  • Tsonga
  • Tswana
  • Turkish
  • Tuvalu
  • Veps
  • Welsh
  • Wolof
  • Xhosa
  • Zulu

Styles

Light 
Regular 
Medium 
Semibold 
Bold
Narrow Light 
Narrow Regular 
Narrow Medium 
Narrow Semibold 
Narrow Bold
Condensed Light 
Condensed Regular 
Condensed Medium 
Condensed Semibold 
Condensed Bold

Specimen

Gutentag Condensed Light

from 59 EUR

Stabilization

Gutentag Condensed Regular

from 59 EUR

Autoportrait

Gutentag Condensed Medium

from 59 EUR

Hyperbrutal

Gutentag Condensed Semibold

from 59 EUR

Relativistic

Gutentag Condensed Bold

from 59 EUR

Consultant

Gutentag Narrow Light

from 59 EUR

Sophistical

Gutentag Narrow Regular

from 59 EUR

Circulation

Gutentag Narrow Medium

from 59 EUR

Reportage

Gutentag Narrow Semibold

from 59 EUR

Disappear

Gutentag Narrow Bold

from 59 EUR

Foregame

Gutentag Light

from 59 EUR

Ubiquious

Gutentag Regular

from 59 EUR

Weetless

Gutentag Medium

from 59 EUR

Rounding

Gutentag Semibold

from 59 EUR

Beginner

Gutentag Bold

from 59 EUR

Midwest

Gutentag Condensed Semibold

from 59 EUR

A growing number of AI-native companies are moving away from the polished geometric sans-serifs that defined the previous decade. Instead, they are increasingly embracing classic serif typefaces across their branding and user interfaces, introducing a sense of authority, sophistication, and human character into products built around advanced technology.

Gutentag Narrow Medium

from 59 EUR

Moon-landing skeptics often focus on NASA photographs, highlighting apparent anomalies in images and footage captured on the lunar surface. Photography specialists—including many with no affiliation to NASA—have consistently explained that these effects are consistent with authentic lunar photography and do not support claims of studio fabrication or image manipulation. Some of the most frequently cited arguments, together with their explanations, are outlined below and continue to be discussed by experts today. 1. In certain photographs, the crosshairs appear to be obscured by objects. Since the cameras used a Réseau plate—a transparent glass plate with an etched reticle—it would have been impossible for photographed subjects to appear in front of the crosshairs. Critics therefore argue that objects must have been added to the images afterward, covering parts of the reticle. This phenomenon is visible only in reproduced or scanned copies of the photographs, not in the original images. It results from overexposure, where bright areas of the film emulsion spread slightly beyond their boundaries and overlap the thin black crosshairs. Because the crosshairs are only about 0.1 mm thick, even a small amount of blooming is sufficient to partially or completely obscure them. Numerous photographs show only the center of a crosshair disappearing while the surrounding lines remain visible. In images of the American flag, portions of a crosshair remain visible across the red stripes while fading or disappearing over the white stripes, demonstrating that the effect is caused by exposure and contrast rather than by image manipulation.

OpenType features

Kickboxer

Glyphs