Tabac Big Glam

Those who have grown tired of text typefaces insensitively blown up to the size of a poster or a building facade should from time to time try out extreme display styles, which are designed precisely for this purpose. They look best in dimensions from around 32 points out to infinity, and they rise to the occasion when a strong impression is necessary. This is especially true for the extreme weights Hair and Black, which don’t allow for any compromise. The sharp hairline and brutal contrast of the strokes test the most extreme possibilities, without having readability suffer in continuous text, as is characteristic for all the typefaces of the Tabac superfamily.

Tabac Big can satisfy all expressionists desiring idiosyncratic colouring in setting because it provides black weights. But at the same time it offers solutions for orthodox environmentalists who like to save ink and toner — all the fragile hair styles are intended just for them. Less clearly-defined typographers can then choose from the six other weights, from Thin through Light, Regular, Medium, Semibold and Bold, including true italics.

Anyone needing to optically enlarge the giant typeface to the maximum can increase the x-height. And if extra width compression is added, the image of the letters stretches seemingly to the clouds so that it fills up the entire line with the mass of the typesetting. Because we believe that not even display styles should skimp on their character sets and accompanying functions, we provide each typeface with a wide range of numerals, mathematical symbols and stylistic sets. Only small caps are absent; their function can be comfortably replaced with exceptionally reduced uppercase letters.

Tabac Big Glam probably stretches the family’s boundaries the furthest. While it’s based on the serif version, it achieves an especially surgical cleanliness and extremely sharp typesetting by completely letting the serifs go. Despite this, the text isn’t boring for a moment — the angled cut of the stems on b, d, h, k, l, the open loop on g or the rounded variant of the italic y, which can be called by turning on the stylistic set, reliably banishes any suspicions of the letters’ monotony.

TabacBigGlam About

Design: Tomáš Brousil
Number of fonts in a family: 16 (Hair, Hair Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, Bold Italic, Black, Black Italic)
Number of glyphs per font: 493
Release date: 2019

 

OpenType Features:
Old Style Numerals (onum)
Lining Figures (lnum)
Proportional Figures (pnum)
Tabular Figures (tnum)
Localized Forms (locl)
Standard Ligatures (liga)
Case Sensitive Forms (case)
Slashed Zero (zero)
Stylistic Sets (salt)